Too Spoopy

Too Spoopy


  • Tag Archives 30 Days of Night
  • Horror Comics Breakdown 11/09/12

    On the off chance this article ain’t posted on the amazingly deranged site I now happily write fer, and love the name of Adventures in Poor Taste! I’ve decided to just post this list of horror comic goodness to my own site. This post will also serve as my “hey, I write for a new site now, don’t I feel special,” kind of a thing.
    I still write for All Things Horror, however, I fear due to the infuriating service known as the United States Postal, my screeners ain’t been comin’ a’ lately. Or, maybe they just haven’t sent them out to me yet.
    But hey, that’s why I drop my roughly 90 bucks a year for this domain, and web hosting. Because Spooky gets restless as a crack head near the end of the bag. Long time readers may remember I had a few posts known as “Horror Comic Run-downs” but I’ve finished running, and have lapsed into full on “Breakdown” mode.
    Welcome to my Breakdown, I hope I didn’t scare you, that’s just the way I am, when I come down.

    Colder issue 1

    This cover is beautifully disgusting. The man is touching his own eye, by sticking his hand through his mouth. I tell you, little kids around the globe will unwittingly see this cover on comic shops, and have nightmares for weeks as a result. In the interest of letting you know the plot of this sucker, I picked it up.
    Written by Paul Tobin, with art by Juan Ferreyra, Colder tells the tale of Declan Thomas, who used to live in the funny farm. Hey, its the 1940’s, in a loony bin in Massachusetts. Anywho, Declan’s body temp is dropping faster than a stripper on a busy night, due to a weird dude named Nimble Jack. There’s a fire at the ol’ insane-o asylum.
    Cut to Boston in present day. I hast seen no Nimble Jack in Boston? Where is barefoot Nimble Jack? Show him to me, I’ll frequent the city more.
    Sadly, despite the intense cover, not a heck of a lot goes on in this issue. In fact, Declan is catatonic for most of the fucker. Best parts are the beginning, and then it’s expositional present day story time.
    Nimble Jack is entertaining, but ultimately, this issue can’t surpass its cover.

    30 Days of Night (current arc) issue 11

    Steve Niles is back with this, issue 11, of the current 30 Days of Night arc. This time around the story centers on Alice Blood, a woman convinced vampires exist. The art started with Sam Keith, but now it’s duties fall to Christopher Mitten. This 30 Days run is great. Don’t want to spoil anything, but an old friend pops by from the very first story arc! Mitten’s art isn’t my favorite, but these vampires are somewhat intimidating. It passes, but is certainly nothing when compared to the vamps of the great and powerful Templesquid.

    BPRD Hell on Earth Return of the Master issue 3

    The BPRD must stop a crazed Russian scientist from releasing demons. I have to admit, I had to use a combination wiki, and going back and buying recent issues to get somewhat up to date with what’s going on with the BPRD lately. Pardon the pun, but it’s a Hell of a lot.
    Story by Mike Mignola(duh) and John Arcudi with art by Tyler Crook, this is a much purchase for BPRD and Hellboy fans. And everyone’s favorite evil Russian from the first Hellboy story is back!

    Hellblazer issue 296

    Jebus, if I thought there was a lot to pick up on with BPRD, well…actually much the same with Hellblazer. This was published earlier in the month, but in the interest of catching up, let’s take a gander. Issue numbah 296 is written by Peter Milligan, with art by Giuseppe Camuncoli.
    Man have I been behind. Apparently Constantine got married, and lost his thumb! Currently, we follow Constantine as he confronts his adopted nephew Finn in Ireland about some sketchy actions, in an attempt to get his sister to leave Hell so his niece Gemma will stop screwing the gangster Julian, the father of John’s bride, Epiphany. Oh, and Julian is a Babylonian demon.
    Like I said, there’s a lot going on. Don’t expect to pick up or get this issue digitally without spending time to get up to speed. Or, if you are a faithful reader, just keep on going.
    I really dig Camuncoli’s art style, and his use of shadows.

    Fatale #9

    Written by Ed Brubaker with art by Sean Phillips. A nifty mixing of noir and Lovecraftian demon beasties. Only nine issues, so you don’t have to go nuts reading, oh say, a metric ass-ton of issues to see where the plot is now.
    She was a dame, with legs that wouldn’t quit, and also she was chased by weird men with tentacles and bowler hats.


    And the holy shit comic of the week goes to…
    Written by Nick Spencer, with art by Riley Rossmo. The first few pages of this one are…man, clean up on aisle me, I think I pissed myself. Only problem is, the intro is so powerful, that when we cut to our main character, James Franklin Tyse, even despite his creepy secret, it seems to lose a bit of steam. There is a superhero, but we don’t really hear much about him. It’s interesting to have the focus on the villain, and the hero in the background. That villain is Madder Red. Madder is much like the Joker, except much more of a serial killer, terrorist type. Although, with a much larger body count, with more of a penchant for serial killing. He kills a lot of people. Like, a whole lot. The use of color is very unique, sticking mainly to black and white, but having the red’s and other select colors in, well color. Very angular art by Rossmo, much like my favorite artist, Sir Templesmith. The color use reminds me of what Stuart Gordon did in season 2 of Masters of Horror, with his episode The Black Cat, about Edgar Allen Poe.
    Sorry, did I just compare a comic to a TV show? My bad. I mean, when was there ever a horror comic turned into a horror TV show, that is on AMC right now? I miss Tales From the Crypt.
    It’s worth a read, and I’m interested where it’s going, because it seems like it’ll be crazy (puns!) good.
    This issue is about fitty pages, so you get a lot of wacko for your buck.
    Look, let me just show you how disturbing this comic can get. Nothing I can say is a better sell.

  • Five Graphic Novels to Make You Lose Sleep


    Suicide Forest
    is written by El Torres, with art by Gabriel Hernandez. The plot deals with a real forest in Japan, Aokigahara, that is a popular place for suicides. Ghosts and wilderness that makes people want to kill themselves? Sign me up!


    Thomas Ligotti writes absolutely terrifying fiction. For proof of this, we need look no further than Volume 1 and 2 of The Nightmare Factory.
    A variety of authors and artists help to bring some of Ligotti’s heart rate increasing, sanity questioning fiction to life. Stand outs include a story in Volume 1 about mannequins, and a story about gas station carnivals in volume 2. Those two stories in particular really fucked me up.

    3.30 DAYS OF NIGHT (Primarily 1st volume through third volume, and Red Snow)

    If you read horror comics you already know about 30 Days of Night.
    Even if you don’t, you probably have already heard of 30 Days of Night. The one that started it all, volume 1 of 30 Days of Night, was written by Steve Niles (personal favorite) with art by Ben Templesmith (Clearly, I’m obsessed). Red Snow, a later volume that incorporates a Nazi occupation of snow-swept Russia with vampires, was written and drawn by Templesmith, who is like a shot of adrenaline to the arm of horror comics. (Even if he isn’t great with feet…)


    I’ve already written a post about The Extremist, so read this article to get up to speed. At bottom of article… It is creepy, it deals with kinky sex and murder, what the hell more could you ask for, sicko?! Go get

    5.WELCOME TO HOXFORD (I swear Templesmith does not send me checks in the mail…)

    I apologize in advance to Ben Templesmith for talking about him incessantly. I’m really not as creepy and stalkerish as I seem, Ben. It’s just that I love your art, and the things you choose to write about are what get me going. What can I say, the man taps into a primal part of me, that wants to look at panel after panel of fucked up, sharp and angular monsters… and squids. Not to mention everything I’ve read that Templesmith has had a part in the writing process of is funny; imbued with both a razor sharp wit, and the occasional gross out humor. Yet, to simply label Templesmith’s work funny, is to only categorize a small part of it. The majority of it is dark, and brutal; it is the art of your nightmares, and it wants to eat you, while making a snide remark.
    One final personal note; my dream is to one day have a commissioned self portrait piece by Templesmith. I think that this dream isn’t terribly far fetched, so it could happen sometime in the next…ten years. Damnit, i need a real job…
    Oh, and this comic fucking rules. Welcome To Hoxford.

  • Horror Comics Run-down, Edge of Doom, The Stand, and The X Files: 30 Days of Night

    In an effort to have an annual thing to do, I’ve decided to try and do a horror comic post, at least once every two weeks. Possibly every week, if I can afford it, but I doubt I’ll be able to afford more then one or two every week, so it may work out to be bi-weekly.
    I’m not great with keeping up with comics, until they are in trade paperback form. So many seperate issues, so much memorization. My extracurricular lifestyle of happy juice and happier plants, often makes it hard for me to remember what number issue I’m on. That being said, I’ll give this my best damn shot, and try to keep up to date.

    First up is issue one of a new series written by Steve Niles and drawn by Kelley Jones entitled Edge of Doom.
    So far, it appears to be about a divorcee who has little demon people in his backyard, like only a few inches high little people. Think Gulliver’s Travels, but instead of tiny people, tiny demons. Promising so far.

    Issue four of The Stand, in the Hardcases arc, has a really creepy cover, as seen above, by Tomm Coker(fun last name) and Laura Martin. This arc in The Stand is written by Roberto Aguirre-Sacasa, with art by Mike Perkins. Being the extreme Stephen King dweeb that I am, I’ve read nearly everything the man has had made into comic format, and so far The Stand series has been great. Hardcases has been my favorite arc so far, because we get to see more of Flagg, and all the other badies that are under his black wings. This issue in particular deals with Harold, and the first comittee formed by the good folks under Mother Abigail. Not for nothing, but I have a hard time with this story, as I’m an agnostic, and I don’t strictly believe in the traditional God. Whatever though, I’ll believe in God for this story, as long as I keep getting more deliciously evil Flagg.

    The X Files: 30 Days of Night issue number 4 for December 2010(because somehow I went forwards in time I guess…)continues the story of the spooky one, and agent scully, as they try to uncover what is happening in the town of Wainwright, Alaska. It’s written by Steve Niles, a favorite of mine in terms of the subject matter he tends to write about, and was also written by Adam Jones, and the art was done by Tom Mandrake. I had to sit down and plow (no pun intended, but I’ll take it) through issues 1 through 3 to get up to date, and they’ve been a fun little ride so far. I recommend it for casual horror comic fans, and die hard X Files and 30 Days of Night fiends, the like.