One of my favorite stories. All credit where it is due, the concept was taken from the Clive Barker novel “Mister B. Gone.” I’ve always liked breaking the fourth wall, and the concept of audience participation in all forms of media, but I especially love it in prose form.
There’s a nod to the Stephen King novel “The Dark Half,” in it, when there’s a bunch of sparrows on top of the house at the end. I’ve always liked tons of birds or bats flying around, seems terribly evocative for a horror story.
I enjoy meta fiction. This would be classified as such, i.e. a horror writer ends up in a horror story. Again, that’s a King thing.
I guess films like “The Exorcist” obviously influenced me, as well as stuff like “Rosemary’s Baby,” and “The Omen.” I’m blanking on anything else recently. I’l update this if I remember any.
What I tried to do with a lot of the stories in “Too Late,” was to have a monologue of sorts. I picture the character starting out alone in a setting: a prison, an old house, a table in an apartment, setting isn’t as important as the character. I wanted to have people telling you about things that went wrong in their life that they can’t change.
I know it’s not en vogue lately to have pretty standard horror stories that work as character studies, but I don’t really give a shit about trends. These were stories I wrote over the course of a ten year period. I wrote many more, but I never seemed to like all of them all that much. And i think it’s because my favorite stories are the type that I grew up with. Granted, my newer work is a lot more experimental and tries to differentiate itself a bit more. But the types of stories in “Too Late,” are my foundation, and I hope that years down the line people will still give the chapbook a read, and realize that I started writing simple horror stories.
I look forward to seeing where the future takes me with my fiction, and I hope that you’ll join me. Thanks.