True Detective follows Rust Cohle (Mathew McConaughey) and Marty Hart (Woody Harrelson) as they attempt to solve the murder of a woman in Louisiana. It contains many elements, from classical horror stories, to modern horror stories, and from old and new horror films and shows.
There are many references to the classic Robert W. Chambers series of horror stories, “The King in Yellow.” The main reference is through the visual use of something somewhat similar to “The Yellow Sign,” on the victim in the first episode, though I’m not sure yet whether or not this show is in a universe where the stories were published. The first victim in episode 1, former prostitute Dora Kelly Lange, has something that appears to be “The Yellow Sign,” on her back.
However, when looking for a picture of the design on Lange’s back, I discovered an article which says it is actually derived from the Illuminati. I know nothing about the Illuminati, so I’ll leave it up to you, the reader, to make your own judgement call on what the sign is supposed to be. It could easily just be a spiral, representing the cyclical nature the killer thinks life and time exist within.
Any time you hear about “The Yellow King,” or “Carcossa,” or even “The Black Stars,” that’s the show drawing from “The King in Yellow.” Indeed, “The King in Yellow” was before it’s time. First published in 1895, most of the stories revolve around a fictional play, aptly named “The King in Yellow” that drove readers to madness.
As the show progresses, Cohle’s character grows increasingly unsettling. We start to really question his sanity. This doubt fits perfectly with the theme of the most influential of stories in, “The King in Yellow,” namely that of “The Repairer of Reputations.” In “The Repairer” a man named Hildred meets with Mr. Wilde, who has a book that contains shocking truths about lots of people. Mr. Wilde uses this book, with its secrets, to blackmail individuals, makes his money in this fashion. I’ve talked about these stories on one of the podcasts I contribute to, Miskatonic Musings, on the episode entitled The King of Creol
so if you want to hear more about my thoughts on the stories, listen to that.
Recently, I was thrilled to read in an interview at The Wall Street Journal with Nic Pizzolatto that he is a fan of the work of Thomas Ligotti, and indeed some lines in the show are almost word for word from Ligotti’s books. Pizzolatto even references other modern day weird fiction writers I’ve yet to even take in. It’s a really great interview, and has made me an even bigger fan of Pizzolatto, and even more excited for the next season of True Detective.
Visually, there are of course other influences, which dare I say are borderline derivative. The devil’s Trap is a Southern thing, I haven’t checked yet whether they are a legit thing, but they remind me an awful lot of the little stick designs and people from The Blair Witch Project.
There’s also the glaringly obvious comparisons to be made between all the antler stuff on True Detective which also features prominently in Hannibal.
And, the use of the gas mask on Ledue reminds me of the character Bing from Joe Hill’s Nos4a2. The description of Bing as a gas mask wearing killer is a hard one to escape, when you compare him to the gas mask wearing killer in True Detective.
No matter what, the show True Detective is great for horror. It is just police procedural enough to draw in the mainstream audience who wouldn’t normally indulge in these horrific things (Well, save for the Hannibal crowd), on their own. It combines the mystery and thriller genres with horror in a seamless and beautiful blend. And at the end of the day, who cares what the genre is classified as, as long as it’s good.